Progress on "Cascade Falls" Print and Welcome Autumn

 I've been busy working on the current reduction block print of the Cascade Falls trail in Waterville Valley, NH. There are so many leaves, rocks, and other textures to carve away, that it's taking a long while to fully complete! It seems that the more prints I work on, the more complex and intuitive the process becomes. I'm fully hand printing each layer, which allows for more control of pressure in specific areas, but it also slows down the printing of each stage of the image. I have also been switching to a slightly heavier and whiter BFK printmaking paper, that holds up better to multiple color layers.

Here are a few photos of the ongoing progress.

yellow tones added to background

mixing ink for a layer of green

more green

The printing plate with brown ink

The brown layer

more green

This is the state of the print today. I have to carve away all the areas that I want to stay the current colors. I think there will be just one more layer of a dark neutral gray, which will define all of the darkest shadows.

Sunflowers blooming in the yard! Happy Autumn!

Cascade Falls Block Print

 It's hard to believe that it is September 1st already. The summer flies by so fast, and this is my second year of not having to go back to teaching.  I miss my colleagues, and the kids, but I'm happy to be retired! I really enjoy being able to work in my studio, attend the morning classes at the gym, and have some flexibility in my schedule! 

I just started working on a new print of the Cascade Falls Trail in Waterville Valley, NH. I went hiking recently, during a weekend attending the Women's Leadership Summit, a group connected with Plymouth State University. It was a great time, and we had a lot of fun being outdoors in the beautiful White Mountains.

I just love the rocks!

This is a Soft-Kut block with Sharpie marker.

I carved out the white areas, then printed a light blue first layer.

The second layer is a light gray. 

Now I will be carving out some of the gray areas for the rocks. There are so many tones on the rocks, I'm not sure how many layers it will take to define them. I also think I'll be carving and printing the foreground rocks separately from the greens of the forest in the background.

Stay tuned! 

Piscataquog River Print

 I've been busy getting ready for the Uncommon Art on the Common Art Sale, which is taking place in Goffstown Village tomorrow. It has been a couple of years since I last participated, due to weather and Covid, but it's always a lot of fun! I'm selling block prints, and my friend Lori has gorgeous felted animals, as well as prints.

I just finished, in the nick of time, a new print of the Piscataquog River. The river runs right through the center of Goffstown Village, and is a great place to observe wildlife. I've recently seen a bald eagle, and an osprey flying overhead. 

Here's the steps in creating the new print that I just finished.

The "soft-cut" block is ready to carve. I use a black sharpie to outline the transferred drawing.

Warm yellow tone for the first color

Light blue for second layer

more carving, then a couple gray layers for the sky

First green layer

Second green layer

third green layer

Final green for the finished print!

Have a great weekend!

Happy Fourth of July!

 Happy Fourth of July! Just because the weather is dreary, it doesn't mean we can't celebrate the holiday!

I was looking through some of my older illustrations, and found this cute one! Hopefully by Monday, the sun will be back out, and people can enjoy their beach day, cookouts, and fireworks! 

I posted my latest block print on Etsy today. Even though it portrays the end of the summer, you can imagine all the Adirondack chairs in full use this month.

"Summer's End, Little Squam Lake, Holderness NH"

(image size-7" x 14")

Have a great weekend!

Jane

"Adirondack Chairs" Block Print

 Just taking a break from my studio work, to post the block print that I finished today. I've been working on the "Adirondack Chair" image this month, and I'm generally pleased with the way it came out. I incorporated a few stencils, as well as a small brayer to ink individual areas. 

Prints hanging up to dry

Akua Inks

                    The finished print (fuchsia edition)

The location of the original photo, that inspired the print, is Little Squam Lake in Holderness NH. 

I'm enjoying the beginning of this summer! The mask wearing is mainly over (had to wear one today at the post office), and the weather has been lovely for the most part! Picked strawberries at one local farm, and have been working a lot in the yard. I planted a variety of herbs--now have to remember to use them. When you live in New England, you have to appreciate every summer day! 

Happy Weekend!

Feels like summer!!

 We had some very hot weather over the past seven days, with high humidity and temperatures in the 90s. Finally today, it's just perfect! Sunny and much cooler with low humidity! I was able to get out in the garden for a couple hours, doing some weeding and mulching. Our perennial beds are doing very well this year!

I've also been working on a new print. The inspiration comes from a misty October day, when I took some photos of empty Adirondack chairs at Squam Lake in Holderness. I've been experimenting with stencils to block off some areas on the print.

I didn't take a picture of the first layer, which was the blue-gray water and sky, but I used the deckled edge of some heavy watercolor paper to define the sand, water, and sky.

Stencil in place(above)

Inked and ready to print (above)

Printed and drying (above)

I cut out a stencil for the trees and the reflection (above) For this step, I inked the block first and laid the stencil on top before printing. In the image below, you can see the paper being pulled back. and the stencil in place.

This shows the print in its current state.

Next, I'm going to attempt to put a layer of light gray over the trees, water and sky, to create a more misty, foggy effect. If that is successful, I'll begin working on the chairs. It's all a bit experimental, so sometimes I have to figure it out as I go along. 

Thanks for reading! Enjoy the weekend!

Lily Pads Continued

 In my last post I revealed the "lily pad" block print that I had just completed. My obsession with the subject matter led me to try an acrylic painting. I had a set of Golden Open Acrylics that I had purchased to use with a Gelli plate to make monoprints. The Open acrylics have a slower drying time than regular acrylics, so you can play around more, without the frustration of a quickly drying palette. I am not very experienced with acrylics or oils, so I'm just exploring the medium, and having some fun with it.

I sketched out the composition on my canvas in pencil, then painted a complementary colored base coat using pink for the lily pads and orange for the background. After the base coat was dry, I began by painting the blues of the water. I used a combination of Ultramarine and Pthalo Blues mixed with white to create a variety of values in the water. For the lily pads, I played around with yellow, the blues, green, and white. I'm trying not to worry about total realism as I'm focusing on the overall composition, and my own interpretation of the subject. I don't know how successful this painting will be, but I'm enjoying the process.

This is where I am now. I'm adding in some darker areas for the reflections in the water, then I'll work on the flowers and the lily pad details. 

Stay well!