Friday, January 22, 2021

Winter Shore, Wells, Maine Block Print

 In my last post, I started demonstrating the process of making a reduction block print of a winter beach scene. I've been working pretty steadily on this print, and I'll take you through from start to finish. 

This was the beginning stage of the whole process. The image was transferred from the tracing paper drawing onto the Soft-Kut block, and outlined with a Sharpie marker. 


I prepared for the printing of the ink layers by creating a cardboard template that the block would rest in securely. I attached metal "pins" to the template for accurate registration. I cut Rives Light paper into the size I needed, and taped plastic tabs onto each sheet. I also numbered the sheets at this point. This will be an edition of 15 prints.


I decided to do a blue blend layer first that would only be inked in the sky area.


I used Akua Intaglio ink (works great on relief prints as well as intaglio etchings)



This is the first layer hanging up to dry.



A light gray layer is printed over the whole block. I ended up printing an even lighter gray blend over the first one, as I wanted more depth in the clouds, and more variety in the gray values in the clouds.


Some definition in the clouds is beginning to appear. If you look closely you can see different gray values.

The next layer is brown for the rock layers in the foreground.


I cut away some brown areas in the rocks before the next layer.

The next layer is a greenish gray for the water and the sand.


Next is a medium gray for the rocks. 



I used masking tape to keep the ink only on the sky, in the next layer, for another gray area of the clouds. I inked the block with the tape in place, then pealed it away to print on the paper.


The image below is after one more darker gray layer in the clouds and the rocks.



At this stage I am only going to need to add a dark gray for the rocks, and a darker green/gray for the horizon area. 


The finished print!

Hopefully this gives you a better understanding of the process of reduction block printing.










Monday, January 11, 2021

New Print for New year

 I'm working on a new print to start the new year. One of my favorite places to go is the coast of Maine. Several of my friends and I have been trying to do a weekly "field trip" that includes hiking on various trails, for fun and exercise. The trails in the Wells Preserve are a favorite destination, and on one trip, as we viewed from a staircase, the ocean was very rough, and at high tide. There was a nice contrast between the rocks, surf, and sky.



I traced the photo onto a piece of tracing paper, and then transferred the image onto an 8" x 10" Soft-Kut
block. As I don't have access to a printing press right now, I find the Soft-Kut block works best for hand printing.  I also use a Sharpie marker to keep my design clear on the block, as I will need to print and cut multiple layers, and I don't want the design totally fade away.
At this stage, I am cutting out the areas that I want to remain white in the final print. The water makes a complex pattern, and I am trying to capture the essence of the surf.

I will record the stages of this print, so the process of reduction block printing will be clear, and hopefully successful!

Stay well!!